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Yayoi Kusama: Inventing the Singular (MIT Press), by Midori Yamamura
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Yayoi Kusama is the most famous artist to emerge from Japan in the period following World War II. Part of a burgeoning international art scene in the early 1960s, she exhibited in New York with Andy Warhol, Donald Judd, Claes Oldenburg, and other Pop and Minimalist luminaries, and in Europe with the Dutch Nul and the German Zero artist groups. Known for repetitive patterns, sewn soft sculptures, naked performance, and suggestive content, Kusama's work anticipated the politically charged feminist art of the 1970s. But Kusama and her work were soon eclipsed by a dealer-controlled art market monopoly of white male American artists. Returning to Japan in 1973, Kusama became almost as famous for her self-proclaimed mental illness and permanent residence in a psychiatric hospital as she was for her art. In this book, Midori Yamamura eschews the usual critical fascination with Kusama's biography to consider the artist in her social and cultural milieu. By examining Kusama's art alongside that of her peers, Yamamura offers a new perspective on Kusama's career.
Yamamura shows that Kusama, who came of age in totalitarian wartime Japan, embraced art as an anticonformist pursuit, seeking a subjective autonomy that resulted in the singular expression of her art. Examining Kusama's association with European and New York art movements of the 1960s and her creation of psychedelic light-and-sound "Happenings," Yamamura argues that Kusama and her heterogeneous peers defied and undermined various pillars of modernity during the crucial transition from the modern nation-state to global free-market capitalism.
The art market rediscovered Kusama in the 1990s, and she has since had a series of high-profile exhibitions. Recounting Kusama's story, Yamamura offers an incisive, penetrating analysis of postwar art's globalization as viewed from the periphery.
- Sales Rank: #1394230 in Books
- Published on: 2015-08-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 7.00" l, .0 pounds
- Binding: Hardcover
- 256 pages
Review
Midori Yamamura's riveting, rigorously researched book on Kusama is a refined, comprehensive intellectual and social history that grounds the artist in the pre- and post-WWII history of Japan to establish the discordant roots of her nonconformist, feminist predisposition and skill at self-promotion. In this very fine portrait of Kusama, Yamamura situates the artist in the overlapping, intertwining international Japanese, European, and American avant-gardes of the late 1950s and 1960s, seeking to rescue the artist from the near ubiquitous attention to her psychological states. Yamamura's examination of Kusama's aesthetic and cultural context is certainly the definitive work on the artist to date.
(Kristine Stiles, France Family Professor of Art, Art History and Visual Studies, Duke University)This book is essential reading for anyone interested in Kusama's remarkable body of work. Insisting on the centrality of politics over and against more conventional biographical readings, Midori Yamamura has produced a wholly original and provocative account, while never once losing sight of the unique specificity of Kusama's strikingly singular practice.
(Jo Applin, University of York, author of Eccentric Objects: Rethinking Sculpture in 1960s America and Yayoi Kusama: Infinity Mirror Room - Phalli's Field)Midori Yamamura has written a highly detailed, readable account of the central role that Yayoi Kusama played in the development of Pop Art and Minimalism. Kusama was one of the first artists to use serial images, make soft sculptures, and incorporate industrial materials and processes into her work. Her influence on artists as diverse and important as Andy Warhol, Claes Oldenburg, Donald Judd, Frank Stella, and Eva Hesse has largely been a matter of rumor. This indispensable book goes a long way toward setting the record straight.
(John Yau, Professor in Critical Studies, Mason Gross School of the Arts, Rutgers University) About the Author
Midori Yamamura is a Lecturer in Art History at Fordham University.
Most helpful customer reviews
3 of 3 people found the following review helpful.
It's also pretty free of the hi-falutin art jargons which
By harrie vista
Having known Kusama quite well in the late sixties to early seventies, there are many things in this book that surprised me. I somehow expected it to give more information on what happened to Kusama after she went back to Japan in 1973. In fact, the book stops right there.
But most surprising to me was the author’s feminist and neo-Marxist interpretation of the artist. As Yamamura describes it, while contesting a global network of new American art dealers Kusama’s art took a different shape from that of her male Pop art peers. I had never thought of Kusama in such ways. I counted the artist as an entrepreneur, a small-scale capitalist; she had her business to run and she did. So all that was news to me.
Having said that, the book gives a LOT of information on Kusama’s career until about 1970. It's also pretty free of the hi-falutin art jargons which, to me, can get pretty disturbing. Only while reading this book it occurred to me that Kusama and I, when we worked in a rather intense photographer-model relationship, never discussed art. Not a single word on theory and background. If we had any discussions, it was more like "turn a bit more to the camera" or "show a bit more background." So the book gave me a lot of things to think about, which is what I liked. The amount of work put into this work was amazing, research and all that.
In all false modesty, there's one photo in there that in itself is worth the price!
1 of 1 people found the following review helpful.
Wonderful Read.
By Amazon Customer
A fascinating account of the life and work of this important artist.
Yamamura’s impressive work on Kusama follows the artist's early career in Post WWII Japan through her participation in the New York art scene of the late 1960’s. In what must be seen as a definitive a work on Kusama, Yamamora’s voice creates a narrative that propels the reader through this academic work of great detail and insight.
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